Skip to main content

Posts

Genesis 4:7 Series

Genesis 4:7 Series unveils biblical symbolism and the principles of manifestation through the law of Assumption, as taught by Neville Goddard

Grace and Mercy

In the traditional religious context, grace and mercy are often thought of as divine favours — blessings given by a God who judges from afar (a projection of natural men's association with imagination). But for those familiar with the teachings of Neville Goddard, these words take on a different, and deeply empowering, meaning. They become practical principles of inner transformation, tools of spiritual alchemy within the human imagination . Grace: The Gift of Assumption To Neville, grace is the unearned, unmerited capacity to assume a new state of being. It is not something one works for or deserves based on good behaviour. Rather, grace is the inheritance of every human being — the ability to imagine oneself into a new reality . “Grace is God’s gift of Himself to man. It is not earned. You cannot work for it or put God in your debt. You simply accept it.” — Neville Goddard Through grace, you are free to leave behind the old story and enter a new one. It does not require ...

Jesus: Writing on the Ground

The story of the woman caught in adultery, found in the Gospel of John (John 8:1–11), is a poignant and compassionate moment in the New Testament. It depicts a woman brought before Jesus , accused by the scribes and Pharisees, and facing death by stoning under the law. Instead of condemning her, Jesus responds with grace and silence—bending down to write on the ground, then famously declaring, “Let him who is without sin cast the first stone.” For Neville, the Bible is not a historical record, but a psychological drama playing out within the individual . Each character, action, and setting symbolises aspects of the human mind , particularly the interplay between the conscious and subconscious , imagination , and belief . The Woman as the Mirroring Mind In Neville’s symbolic system, the woman caught in adultery represents the receptive womb of the mind , which has been momentarily united with a false belief or undesirable mental state. Adultery, then, is not a physical sin, but the...

The Endlessness of Violence

Genesis 4:17–26 is not a historical account but a psychological allegory describing what happens when imagination is misused . Neville Goddard taught that the Bible is a great psychological drama playing out in the minds of individuals. Cain, Abel, Lamech , and Seth are not people — they are states of consciousness representing internal movements within us all. Cain Builds a City: The Fixation on External Identity Cain, the one who "rose up and slew his brother," symbolises a misuse of the creative power — imagination turned outward and against itself. Abel, whose name is related to breath or spirit, represents the invisible power of assumption — the unseen inner feeling of fulfilment. When Cain "kills" Abel, the story is describing how one state of mind (resentment, fear, guilt, or doubt) suppresses the natural function of imagination, replacing it with worry, logic, or survivalism. To build a city means to harden a belief system — to establish fixed assumptions ...

Cain and Abel: Murder in Imagination

The story of Cain and Abel can be seen as a symbol of what happens inside the mind before the promise of a new reality is accepted . Abel represents imagination —the creative power inside us that, when assumed as real, brings new possibilities to life. Cain, on the other hand, represents the negative mind, full of doubt, fear, and resistance. Before the promise was introduced and Sarah initially laughed at it , the mind struggled to believe that what it imagined could really come true. Instead of nurturing imagination, negativity would “kill” it. Cain killing Abel shows this destructive cycle : the imagination (Abel) is attacked by the doubting and fearful mind (Cain). Without the promise—the firm belief that what you assume in your imagination will become real—imagination is fragile and vulnerable. The mind keeps “killing” its own creative power through disbelief and negativity. This is why so many people struggle to manifest their desires; their imagination is not yet protected by ...

The Scribe in the City

In the Book of Ezekiel, a strange scene unfolds. A man clothed in linen, identified as a scribe , is commanded to go through the city and put a mark on the foreheads of all who sigh and cry for the abominations committed within it (Ezekiel 9:4). This mark is not punishment—it is a distinction , a separation between those grieved by the current state and those indifferent to it. But this grief is not meant to stay stagnant. In Neville Goddard’s teachings, sorrow is only useful if it leads to transformation of state . If imagination is God, then to remain in grief is to misuse the gift. Those who “sigh and cry” are being acknowledged—not for their sorrow alone—but for their potential to shift. This act of marking the foreheads is symbolic of awareness . The forehead, the seat of imagination, is where thoughts are impressed. The mark signifies readiness to move beyond grief into assumption. In biblical language, a scribe is not someone who writes with ink, but someone who records and ...

Revelation 13: Beasts

In Neville Goddard’s teachings, the cryptic imagery of Revelation 13 becomes a fascinating metaphor for the internal dynamics of consciousness . It is not about literal beasts rising from the earth, but about the mental beasts — the wild, untamed states of mind — we entertain within ourselves. These beasts are not demons to be feared but aspects of our awareness waiting to be unified and transformed. The nature of the beast is first inplied as anger and displeasure in the story of Cain and Abel The First Beast: The Dominant State of Mind The first beast, with ten horns and seven heads, symbolises an oppressive state of consciousness dominated by limiting beliefs. The “seven heads ” represent the many fragmented perceptions we hold — distorted ways of seeing ourselves and the world, formed when we forget our creative power. Just as the “ many eyes of God” symbolise expanded divine perception , these heads reflect the scattered, incomplete views of a mind not yet unified. The “ten horn...

Abraham and the Tent Doorway

In Genesis 18, Abraham sits at the doorway of his tent when three men appear. This moment is more than an encounter; it symbolises the transition from one state of being to another. In Neville Goddard’s teachings, such a doorway represents the threshold between your current self and the fulfilled state you desire to enter. Genesis 4:7: "If you do well, will you not be lifted up? and if not, sin is waiting at the door, desiring to get control over you: but you are to get the mastery over it." This passage suggests that every moment offers a choice: to remain in an old state or step forward into a new assumption . The “door” symbolises the conscious decision point where you master your inner reactions and assumptions. Abraham’s Visitors: Faith in Action When Abraham receives the three men and hears the promise of Isaac, he stands at a spiritual doorway. Though Sarah laughs at the seeming impossibility of the promise, Abraham embodies unwavering faith — a complete acceptance...

David and Bathsheba: The Sick Child

The story of King David’s sin with Bathsheba, the death of Uriah, and the loss of David’s child (2 Samuel 11–12) offers a lesson in the law of Assumption—the very foundation of Neville Goddard’s teaching. In a story similar to Amnon and Tamar , this narrative reveals how our inner states of self perception shape outer reality, and how awareness and revision can transform our lives. David’s Misaligned Assumption: Desire, Control, and Its Consequences David’s journey begins with a moment of weakness: seeing Bathsheba bathing, he desires her and acts impulsively. “One evening David got up from his bed and walked around on the roof of the palace. From the roof, he saw a woman bathing. The woman was very beautiful.” (2 Samuel 11:2) Instead of living from a state of fulfilled desire, love and faith , David lacks self-mastery and acts from a state of lack and impatience. He summons Bathsheba, sleeps with her, and she becomes pregnant. To cover this, David arranges the death of her ...

The Bitter Cup: What Was Refused at the Cross

“They offered him wine to drink, mixed with gall, but when he tasted it, he would not drink it.” (Matthew 27:34, ESV) At the moment of greatest vulnerability,  Jesus —the awakened imagination—is offered a bitter drink: wine mixed with gall. The drink is tasted, but refused. This act is deeply symbolic. Bitter water appears throughout the Bible as a sign of "non-pleasantness" the antithesis to the psychological dwelling of Eden . Here, in this final offering, it represents the bitterness of the world , the disillusionment that threatens the inner vision. Neville Goddard teaches that Jesus represents  imagination in the action of saving   —the assumption , the inner knowing of "I AM." To drink this sour wine would mean accepting the narrative of despair, which is the foundational premise given as sin . But it is refused. The bitterness is acknowledged, but not absorbed. This is true mastery : the ability to face pain and limitation without becoming tainted by ...

The Resurrection of Lazarus: Your Forgotten Ideal Self

The story of Lazarus in John 11 is often read as a simple miracle narrative. Yet, through the teachings of Neville Goddard and the poetic symbolism of the Song of Solomon, it reveals a far deeper truth: it is a love story between consciousness and imagination, a guide for reawakening our buried creative power. Lazarus as the Dormant Creative Power Lazarus represents our imaginative faculty — the divine creative power within each of us. When he lies dead in the tomb, it symbolises a state of mind so entrenched in limitation, doubt, and fear that we believe our desires to be impossible. Jesus clarifies this when he says: “Our friend Lazarus sleeps; but I go, that I may awake him out of sleep.” — John 11:11 Here, Jesus symbolises the awakened imagination — the “I AM” consciousness that knows no death and has the power to call forth life from apparent decay. The Smell of Decay and the Lord of the Flies Martha protests: “Lord, by this time he stinks: for he has been dead four days.” — ...

Foolishness and Folly: A Strong Biblical Theme

Foolishness and folly are major themes in Proverbs and throughout the Bible, yet they are often misunderstood. Sin and foolishness go hand in hand in the bible. Many think foolishness is simply lack of intelligence or common sense. In Neville Goddard’s reading, however, true foolishness is ignorance of imagination — the only real power that shapes your life. Most people think reason and logic run their lives, but the Bible shows imagination is the ruling power. An example of foolishness appears in the story of Nabal . The Clamorous Woman: Inner Resistance Proverbs 9:13–18 introduces the "clamorous woman": "The foolish woman is full of noise; she is simple, and has no sense. Seated at the door of her house, on a seat in the high places of the town, crying out to those who go by, who go straight on their way, saying, Whoever is simple, let him come in here: and to him who has no sense, she says, Stolen waters are sweet, and bread secretly eaten is pleasing. But he does n...

The Law: TIMELINE

The Bible is a psychological pattern detailing the gradual implementation of the Law of Assumption. From Genesis to Revelation, it unfolds as a chronological journey of consciousness, showing the minds evolution from blind effort and outer dependence to full mastery of imagination and inner conviction. This timeline reveals not just stories, but the hidden steps of transformation each of us must walk to realise that “I AM” is the true source of all creation. The Law of Assumption: Bible Timeline A psychological journey from effort to effortless creation, as told through Scripture Job Man searches for God in suffering. Realises: “I AM” is within. (Job 1–42) Elohim “God” is plural — a symbol of the many imaginative powers within us. Everything that follows, every character and story is conceived from imagining  (Gen 1) Creation “Let there be…” shows that thought becomes form. (Gen 1) Adam & Eve The fall represents forgetting imagination as source. Union of thought (...

Eden: Pleasure and Delight at the Core of the Bible

In the popular imagination, Eden is often remembered simply as the place where it all went wrong — a paradise lost. But within the language and imagery of the Bible, Eden isn’t a location; it is a symbol of pleasure, delight, and harmony. The very word Eden in Hebrew (עֵדֶן) means delight or pleasure. Far from being a cautionary footnote, Eden represents something desirable: a state of self-perception where pleasure is holy, beauty is abundant, and the soul is at one with its source. Let’s explore how the theme of pleasure, rooted in Eden, continues to echo throughout the Bible — and how it invites us into a renewed understanding of divine joy. Eden: The Garden of Delight Genesis 2:8 (BBE): "And the Lord God made a garden in the east, in Eden; and there he put the man whom he had made." This isn’t just a garden in the geographical sense . The name Eden itself translates to delight or pleasure. The Garden of Eden is, in essence, the Garden of Delight — a symbolic r...

When Frustration Births Faith: Hannah and the Law of Assumption

In the opening chapter of 1 Samuel , we meet Hannah — a woman bitter in soul , provoked by her rival, and burdened by her barrenness. Year after year, she worships and weeps, but the heavens seem silent. This is not a story of infertility. It is desiring something so deeply and not seeing it materialise — despite effort, prayer, and even righteousness. “And she was in bitterness of soul, and prayed unto the LORD, and wept sore.” 1 Samuel 1:10 Yet, buried within her frustration is a golden thread of transformation that speaks directly to Neville Goddard’s Law of Assumption. The Silent Turning Point At her lowest point, Hannah rises from the table and enters the temple. There, she pours out her soul — not in words others can hear, but in silent, internal speech. “Now Hannah, she spake in her heart; only her lips moved, but her voice was not heard: therefore Eli thought she had been drunken.” 1 Samuel 1:13 She moves from supplication to surrender. The priest Eli, initially mistakin...

Anger: Cain, Lamech, and Jesus

In Genesis 4:15 (BBE) , God places a mark on Cain: “And Jehovah said to him, ‘No man who kills Cain shall be punished, but he shall be punished seven times more.’ Then Jehovah put a mark on Cain, so that no one who found him would kill him.” Cain’s mark symbolises a mind weighed down by sasness, anger, fear, hopelessness, guilt, loneliness, and separation — an inner state “ missing the mark ” and caught in negative, wild beast-minded patterns. Later, Lamech’s declaration in Genesis 4:24 intensifies this: “If Cain will be punished seven times, then Lamech seventy times seven.” This echoes Jesus’ teaching on forgiveness in Matthew 18:21-22 (NIV): “Then Peter came to Jesus and asked, ‘Lord, how many times shall I forgive my brother or sister who sins against me? Up to seven times?’ Jesus answered, ‘I tell you, not seven times, but seventy-seven times.’” Both Lamech’s vow and Jesus ’ teaching highlight the mind’s potential to become trapped in endless loops (wheels) of in...

Marked for Saving: Cain and Jesus

"Put me as a sign on your heart, as a sign on your arm; love is strong as death, and wrath bitter as the underworld: its coals are coals of fire; violent are its flames." — Song of Solomon 8:6 Many fear the “ Mark of the Beast ” as a fearful, external sign. But when we look deeply at the Bible — especially through Neville Goddard’s Law of Assumption — we discover a profound spiritual truth: the biblical “mark” is the identification of negativity ready for its transformation to the law of Assumption . Cain’s Mark: The First Mark of Separation and Missing the Mark "And the Lord said to him, ‘No man who kills Cain shall be punished, but he shall be punished seven times more.’ Then Jehovah put a mark on Cain, so that no one who found him would kill him.” In Genesis 4, God places a mark (cross) on Cain after he sinned. This mark is often misunderstood as protection or punishment. Symbolically, Cain’s mark represents the human condition of mental misalignment — the state ...

When Imagination Finds Favour: Saul, David, and the Pleasing Offering of Abel

In 1 Samuel 16, Saul—the reigning king and symbol of the current dominant perception or "man"—sends for David: “Then said Saul to Jesse, ‘Send me your son David , which is with the sheep .’” (1 Samuel 16:11) “And Saul sent to Jesse, saying, ‘Let David stand before me; for he hath found favour in my sight .’” (1 Samuel 16:22) At a glance, these verses describe a historical event. Yet beneath the surface, they echo a profound psychological and spiritual concept about consciousness, alignment, and manifestation—mirroring the symbolic drama first revealed in Genesis 4:4-7. God’s Pleasure in Abel’s Offering and Saul’s Favour toward David In Genesis 4, we read: “And Abel gave an offering of the young lambs of his flock and of their fat. And the Lord was pleased with Abel’s offering; But in Cain and his offering he had no pleasure .” (Genesis 4:4-5, BBE) God’s pleasure in Abel’s offering signals alignment between the inner imaginative state and divine order—Abel’s offering ...

The Passover: Doors and Lambs

The Bible is not an ancient record or moral code, it is a living psychological drama. Every story, every symbol, is a blueprint for understanding the deeper workings of consciousness and the creative power within us. Among its most profound symbols is the lamb, first appearing in Genesis and culminating in the Passover story. This progression reveals the secret of sin, sacrifice, and ultimate liberation through imagination. The First Lamb: Pleasure and Anger in Genesis The lamb first appears in Genesis 4:4–7, in the story of Cain and Abel : "And Abel gave an offering of the young lambs of his flock and of their fat. And the Lord was pleased with Abel’s offering; but in Cain and his offering he had no pleasure. And Cain was angry and his face became sad. And the Lord said to Cain, 'Why are you angry? and why is your face sad? If you do well, will you not have honour? And if you do wrong, sin is waiting at the door, desiring to have you, but do not let it be your master.'...

Cain and Abel: Cain Is The Marked Beast

When viewed through Neville Goddard’s symbolic understanding, the story of Cain and Abel is not about two historical brothers — it is a profound psychological allegory illustrating two states of competing  consciousness : the outer man (Cain) that only associates with the world, and the inner creative faculty — imagination (Abel). Genesis 4:2–7 — The Original Drama “Now Abel was a keeper of sheep, but Cain was a tiller of the ground. And in the process of time it came to pass that Cain brought an offering of the fruit of the ground to the Lord. Abel also brought of the firstborn of his flock and of their fat. And the Lord respected Abel and his offering, but He did not respect Cain and his offering. And Cain was very angry, and his countenance fell. So the Lord said to Cain, ‘Why are you angry? And why has your countenance fallen? If you do well, will you not be accepted? And if you do not do well, sin lies at the door. And its desire is for you, but you should rule over it....