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Manifesting and Holding The State: The Movement Between “Familiar” and "Idealisation”

The Bible speaks in the language of universal and ancient psychological symbolism. Its characters and relationships—familial, ascendant, or romantic— illustrate states of consciousness rather than literal events. In this symbolic context, the alternating imagery of “sister” and “spouse” in the Song of Solomon is not strange, but profound. These relational terms serve as spiritual shorthand for the inner movement between belief and doubt, intimacy and detachment—especially during manifestation. What may seem contradictory becomes useful when exploring how conscious imagining attempts to unite with its desire.


“Therefore a man shall leave his father and his mother and shall cleave unto his wife: and they shall be one flesh.”
Genesis 2:24

The Song of Solomon is a poetic treasure filled with rich symbolism of love, longing, and union. Among its mysteries is the recurring shift in how the beloved is addressed—as both “spouse” and “sister.” This seeming paradox mirrors a subtle movement within our consciousness, especially during manifestation, where inner states flicker between old familiar patterns and the new reality of the wish fulfilled.

Genesis 2:24 offers the blueprint for this process: the Spirit leaves behind the old attachments represented by “father and mother” and cleaves to the new intimate union symbolised by “wife.” This union—“one flesh”—signifies the merging of conscious desire with the subconscious soul through a fresh, loving experience. In other words, manifestation is the Spirit’s journey to unite with the soul by embracing new states of being through love.


The Feminine as the Subconscious

In spiritual and psychological traditions—including Neville Goddard’s teachings—the feminine often symbolises the subconscious mind: the receptive, creative ground where imagination impresses its desires. The subconscious is like fertile soil, silently shaping experience based on the feelings and images sown into it.

Understanding the feminine as subconscious adds powerful depth to the symbolism of “spouse” and “sister” in the Song of Solomon:

  • The “spouse” represents the subconscious fully awakened and intimate with the new, ideal conscious desire. It is the fertile feminine, receptive to imagination and aligned with the fulfilled state.

  • The “sister” reflects the subconscious in a more distant, habitual condition—still connected, but not yet fully transformed by the new conception. It symbolises the old familiar patterns that retain the imprint of previous beliefs and states of being.


The Flickering Between Spouse and Sister

This flickering back and forth between “spouse” and “sister” illustrates the natural process of manifestation: the subconscious (feminine) oscillates between embracing the new fulfilled state and clinging to familiar past conditions.

  • When the subconscious is receptive and aligned, it is the “spouse”—intimate, close, and willing.

  • When doubt or habit intrudes, it reverts to the “sister”—still present, but distant, reflecting hesitation or incomplete transformation.

This flickering is poignantly depicted in Song of Solomon 5:2–6, where the beloved appears at the door, calling softly:

“I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me...”
Song of Solomon 5:2

She hesitates, unsure, and by the time she rises to open the door, he is gone. This slipping away symbolises the moment the subconscious retreats into doubt—the lover is no longer at the threshold because the state of reception (spouse) has flickered back to the distanced pattern (sister).

Shortly after, she is found wandering the streets, searching for him. There, she is wounded:

“The watchmen that went about the city found me, they smote me, they wounded me...”
Song of Solomon 5:7

These watchmen can be interpreted as externalised thought patterns—harsh, habitual beliefs that punish the soul when it no longer feels the warmth of the beloved’s presence. This wound arises when the subconscious no longer feels loved or aligned—having reverted to the distant “sister” state.


Supporting Passages: A Dance of States

“You have stolen my heart, my sister, my bride...”
Song of Solomon 4:9

Here, the beloved is simultaneously “sister” and “bride,” expressing the tension of subconscious states—both the old and the new existing in a delicate balance.

“My beloved is mine, and I am his...”
Song of Solomon 2:16

This mutual possession reflects the subconscious as the receptive “spouse,” intimately aligned with the conscious desire.


Abraham and Isaac’s “Sister” Wives: The Subconscious Holding On

In the stories of Abraham and Isaac, both call their wives “sisters” in foreign lands. Though confusing on the surface, symbolically this shows how the subconscious clings to old identities when surrounded by unfamiliar conditions. The feminine subconscious, in uncertain territory, reverts to protective habit—mirroring how manifestation is disrupted when the feeling of new fulfilment is displaced by fear or external appearances.


Practical Application: Navigating the Feminine Subconscious Flicker

Manifestation requires holding steady in the “spouse” state—the subconscious fully receptive to the wish fulfilled. When you notice yourself flickering into the “sister” state—old doubts, habits, or emotions—acknowledge them gently.

Then return to the felt reality of your desire fulfilled. Reaffirm it through imagination, inner speech, and calm persistence.

This is the sacred dance of inner union. The subconscious must be courted and cherished, again and again, until she accepts the new seed as truth. Only then does the lover remain at the threshold—and the two become one flesh.

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